Quinkan
NGARRA’s Uganda Village project is a community-based initiative aimed at empowering youth in a remote village in Uganda through the transformative power of photography and storytelling.
We wandered through the temple complex and came across a narrow corridor, half-hidden behind the dense jungle growth. One of the kids pointed his camera not at the grand statues or the expansive architecture, but at a small lizard sunbathing on a stone ledge, unnoticed by most passersby. I asked why he chose that shot, he simply shrugged and said, “Because it’s alive.” We kept walking. Following the twists and turns of the maze of half collapsed stone, each corner revealing a different space. The other pointed his camera and shot, not at the monkeys that play in the trees, but at the stone, unnoticed by most passersby. I asked why he chose that shot, he simply shrugged and said, “Because it’s alive.”
Amidst the ancient stone temples and the whispering trees of Angkor Wat, where time seems to stand still and the air is thick with history, I found myself not just as a photographer on assignment, but as a participant in a shared journey of discovery. Angkor Wat, a place of wonder that draws thousands from across the globe, had become my backdrop for work. Still, it was the connection with the local community that transformed my experience from a simple assignment into a profound exchange of perspectives.
While staying with a local family, my daily commute to the temple complex was not in the company of other tourists but with the family’s young son, who often tagged along. Curious and eager, he became my guide, sharing with me the stories and secrets of a place that wasn’t just a monument, but his home. His enthusiasm was infectious, and I soon found myself offering him a camera, encouraging him to capture what he saw, what Angkor Wat meant to him. Over the next two days, his friends joined us, and our exploration of the temple grounds became a shared adventure.
We wandered together through the labyrinth of ancient stone corridors, under the gaze of the silent faces carved into the temple walls, their eyes ever-watchful. The kids saw the place differently than I did, not just as a grand marvel of architecture but as a playground, a piece of their own story, alive with the echoes of their ancestors. With cameras in hand, they framed their world not with the eyes of a visitor but with the gaze of someone connected, rooted to the land beneath their feet.
Our time together was not just about taking photos; it was about sharing perspectives. As we walked and talked, I listened to their views about Angkor Wat, what it meant to grow up in its shadow, how they saw the tourists who visited every day. We spoke about framing a shot, but more importantly, about framing a story—what it means to capture the essence of a place that is both timeless and ever-changing. What these young photographers chose to see and highlight—their daily life, their hidden corners of joy, their intimate understanding of the place—was invaluable. It shifted my own perspective, reminding me that true understanding comes from seeing through others’ eyes.
By engaging local youth in this project, we’re ensuring that their perspectives are seen and valued, that their connection to their heritage is celebrated. These images will not only tell the story of a magnificent place but will also foster a deeper appreciation for the human experiences that shape and are shaped by it. Through their eyes, we gain a richer understanding, one that transcends the limitations of our own viewpoint and opens us up to the profound wisdom that lives in everyday moments.
In the end, it’s not just about capturing the perfect shot. It’s about capturing the soul of a place, the heartbeat of its people, and the continuity of stories that pass from one generation to the next. At Angkor Wat, I found not just a landscape of stone and history but a living classroom, where young minds see the world anew every day and where every photo taken is a step towards preserving that precious view for years to come.
The photographs taken during our time at Angkor Wat are more than just images—they are windows into the lives, perspectives, and stories of the local community. Each photo sold contributes directly to a cause close to our hearts: building a school for the children of Cambodia.
The funds raised from the sales of these photos will go toward constructing a school that provides a safe and nurturing environment for local children to learn, grow, and thrive. Education is a powerful tool, and by supporting this initiative, we are not only helping to preserve the cultural heritage of Angkor Wat through the eyes of its youngest guardians but also investing in the future of Cambodia.
The school will be a place where children can receive quality education, opening doors to new opportunities and empowering them to become the next generation of leaders, storytellers, and custodians of their rich cultural heritage. By purchasing these photos, you are directly contributing to building a brighter future, one where every child has the chance to learn and create their own story.
Together, we can turn these images into lasting change, ensuring that the legacy of Angkor Wat lives on not just in stone but in the hearts and minds of the children who call this place home.
NGARRA’s Uganda Village project is a community-based initiative aimed at empowering youth in a remote village in Uganda through the transformative power of photography and storytelling.